Main  History  Search  Repository tree

[BACK] Return to vitru_archi_045_it_1567.xml CVS log [TXT][DIR] Up to [CVSROOT] / texts / archimedes / xml

Colored diff for /texts/archimedes/xml/vitru_archi_045_it_1567.xml between version 1.9 and 1.10

version 1.9, 2004/08/25 11:00:46 version 1.10, 2004/08/25 11:47:05
Line 30 
Line 30 
           <s id="s.000003">ilche &egrave; &longs;egno manife&shy;<lb/>&longs;to, che in quelle &longs;empre &longs;i &longs;cuopra maggior bellezza. </s>           <s id="s.000003">ilche &egrave; &longs;egno manife&shy;<lb/>&longs;to, che in quelle &longs;empre &longs;i &longs;cuopra maggior bellezza. </s>
           <s id="s.000004">Que&longs;to, <lb/>o &longs;imigliante effetto fanno le uere, &amp; precio&longs;e pietre di natura, <lb/>comparate alle fal&longs;e, et uili fatte da gli huomini. </s>           <s id="s.000004">Que&longs;to, <lb/>o &longs;imigliante effetto fanno le uere, &amp; precio&longs;e pietre di natura, <lb/>comparate alle fal&longs;e, et uili fatte da gli huomini. </s>
           <s id="s.000005">imperoche le fal <lb/>&longs;e al primo guardo fanno di&longs;e mo&longs;tra allegri&szlig;ima, &amp; &longs;plendidi&longs;&shy;<lb/>&longs;ima, et qua&longs;i adulatrici allettano la ui&longs;ta con un fal&longs;o &longs;plendo&shy;<lb/>re; et poi uanno mancando. </s>           <s id="s.000005">imperoche le fal <lb/>&longs;e al primo guardo fanno di&longs;e mo&longs;tra allegri&szlig;ima, &amp; &longs;plendidi&longs;&shy;<lb/>&longs;ima, et qua&longs;i adulatrici allettano la ui&longs;ta con un fal&longs;o &longs;plendo&shy;<lb/>re; et poi uanno mancando. </s>
           <s id="s.000006">Male uere naturali, &amp; fine, perche <lb/>&longs;ono fatte dalla uerit&agrave; della natura, non per ingannare alcuno, <lb/>ma per driZzare gli animi a piu alto uiaggio, piu pre&longs;tano di <lb/>quello, che prometteno. </s>           <s id="s.000006">Male uere naturali, &amp; fine, perche <lb/>&longs;ono fatte dalla uerit&agrave; della natura, non per ingannare alcuno, <lb/>ma per drizzare gli animi a piu alto uiaggio, piu pre&longs;tano di <lb/>quello, che prometteno. </s>
           <s id="s.000007">la doue i po&longs;&longs;editori di quelle, &longs;coprendoci<emph.end type="italics"/><pb xlink:href="045/01/004.jpg"/><emph type="italics"/>ogni giorno piu uagheZza, &amp; piu uerit&agrave;, piu le appreZza&shy;<lb/>no, &amp;&apos; piu le ammirano. </s>           <s id="s.000007">la doue i po&longs;&longs;editori di quelle, &longs;coprendoci<emph.end type="italics"/><pb xlink:href="045/01/004.jpg"/><emph type="italics"/>ogni giorno piu uaghezza, &amp; piu uerit&agrave;, piu le apprezza&shy;<lb/>no, &amp;&apos; piu le ammirano. </s>
           <s id="s.000008">Il &longs;imile adiuiene a i lettori delle <lb/>co&longs;e de gli huomini eccellenti, i quali beendo con di&longs;iderio i <lb/>precetti delle arti, et continuando con lo studio, &amp; e&longs;&longs;erci&shy;<lb/>tio nella intelligenza di quelli, ritrouano nel progre&longs;&longs;o, che <lb/>fanno, la uirt&ugrave; dell&apos; autore piu chiara, &amp; piu ammiranda. </s>           <s id="s.000008">Il &longs;imile adiuiene a i lettori delle <lb/>co&longs;e de gli huomini eccellenti, i quali beendo con di&longs;iderio i <lb/>precetti delle arti, et continuando con lo studio, &amp; e&longs;&longs;erci&shy;<lb/>tio nella intelligenza di quelli, ritrouano nel progre&longs;&longs;o, che <lb/>fanno, la uirt&ugrave; dell&apos; autore piu chiara, &amp; piu ammiranda. </s>
           <s id="s.000009"><lb/>Come &egrave; auuenuto a me nella fatica fatta &longs;opra Uitru&shy;<lb/>uio gia dedicata a Uo&longs;tra Signoria Illu&longs;tri&szlig;ima, &amp; Reueren&shy;<lb/>di&szlig;ima: imperoche, per quello amore, che ha ognuno di fare le <lb/>&longs;ue fatture ogni giorno migliori, riuedendo, &amp; rileggendo il <lb/>detto autore, &amp; &longs;entendoui piu gu&longs;to della eccellenZa &longs;ua, <lb/>&amp; uedendo ancho, che &longs;otto la protettione della gratia uo&shy;<lb/>&longs;tra egli era &longs;tato abbracciato dal mondo: &longs;pinto dalla &longs;olleci&shy;<lb/>tudine de i librari, ho uoluto rimandarlo in luce tenendo tut&shy;<lb/>tauia raccolto lo &longs;tudio, &amp; l&apos;o&longs;&longs;eruanZa mia nella dignit&agrave;, &amp; <lb/>chiareZza della per&longs;ona uostra, con quel de&longs;iderio, che &longs;em&shy;<lb/>pre ho hauuto di giouare, quanto porta&longs;&longs;ero le forZe mie ad <lb/>ognuno. </s>           <s id="s.000009"><lb/>Come &egrave; auuenuto a me nella fatica fatta &longs;opra Uitru&shy;<lb/>uio gia dedicata a Uo&longs;tra Signoria Illu&longs;tri&szlig;ima, &amp; Reueren&shy;<lb/>di&szlig;ima: imperoche, per quello amore, che ha ognuno di fare le <lb/>&longs;ue fatture ogni giorno migliori, riuedendo, &amp; rileggendo il <lb/>detto autore, &amp; &longs;entendoui piu gu&longs;to della eccellenZa &longs;ua, <lb/>&amp; uedendo ancho, che &longs;otto la protettione della gratia uo&shy;<lb/>&longs;tra egli era &longs;tato abbracciato dal mondo: &longs;pinto dalla &longs;olleci&shy;<lb/>tudine de i librari, ho uoluto rimandarlo in luce tenendo tut&shy;<lb/>tauia raccolto lo &longs;tudio, &amp; l&apos;o&longs;&longs;eruanZa mia nella dignit&agrave;, &amp; <lb/>chiarezza della per&longs;ona uostra, con quel de&longs;iderio, che &longs;em&shy;<lb/>pre ho hauuto di giouare, quanto porta&longs;&longs;ero le forZe mie ad <lb/>ognuno. </s>
           <s id="s.000010">&amp; per dare uno illu&longs;tre te&longs;timonio delle magnifiche, <lb/>&amp; eccellenti fabriche, che ella ha fatto, &amp; fa tuttauia in <lb/>diuer&longs;e parti del mondo con merauiglia de gli huomini: del&shy;<lb/>lequali opere io ne haueua uedute alcune prima, che io le de&shy;<lb/>dica&longs;&longs;e il Vitruuio, alcune ho ueduto dapoi, &amp; &longs;ono quelle, che <lb/>con tanta &longs;plendideZZa ella ha fatto in Roma, &amp; a Tioli, nel&shy;<lb/>lequali la natura conuiene confe&longs;&longs;are di e&longs;&longs;ere &longs;tata &longs;uperata <lb/>dall&apos; arte, &amp; dalla &longs;plendideZza dell&apos; animo &longs;uo. </s>           <s id="s.000010">&amp; per dare uno illu&longs;tre te&longs;timonio delle magnifiche, <lb/>&amp; eccellenti fabriche, che ella ha fatto, &amp; fa tuttauia in <lb/>diuer&longs;e parti del mondo con merauiglia de gli huomini: del&shy;<lb/>lequali opere io ne haueua uedute alcune prima, che io le de&shy;<lb/>dica&longs;&longs;e il Vitruuio, alcune ho ueduto dapoi, &amp; &longs;ono quelle, che <lb/>con tanta &longs;plendideZZa ella ha fatto in Roma, &amp; a Tioli, nel&shy;<lb/>lequali la natura conuiene confe&longs;&longs;are di e&longs;&longs;ere &longs;tata &longs;uperata <lb/>dall&apos; arte, &amp; dalla &longs;plendidezza dell&apos; animo &longs;uo. </s>
           <s id="s.000011">come che in <lb/>uno in&longs;tante &longs;iano nati i giardini, &amp; cre&longs;ciute le &longs;elue, &amp; gli <lb/>alberi pieni di &longs;oaui&szlig;imi frutti, in u na notte ritrouati, anzi <lb/>delle ualli u&longs;citi i monti, &amp; ne i monti di duri&szlig;ime rocche <lb/>fatto i letti a i fiumi, &amp; aperta la pietra per dar luogo alle ac&shy;<lb/>que, &amp; allagato il&longs;ecco terreno, &amp; irrigato di fonti, et diri-<pb xlink:href="045/01/005.jpg"/>ui correnti, et di pe&longs;chiere rari&longs;sime; dellequali co&longs;e hanno <lb/>fatto honorato giudicio huomini piu intelligenti di me. </s>           <s id="s.000011">come che in <lb/>uno in&longs;tante &longs;iano nati i giardini, &amp; cre&longs;ciute le &longs;elue, &amp; gli <lb/>alberi pieni di &longs;oaui&szlig;imi frutti, in u na notte ritrouati, anzi <lb/>delle ualli u&longs;citi i monti, &amp; ne i monti di duri&szlig;ime rocche <lb/>fatto i letti a i fiumi, &amp; aperta la pietra per dar luogo alle ac&shy;<lb/>que, &amp; allagato il&longs;ecco terreno, &amp; irrigato di fonti, et diri-<pb xlink:href="045/01/005.jpg"/>ui correnti, et di pe&longs;chiere rari&longs;sime; dellequali co&longs;e hanno <lb/>fatto honorato giudicio huomini piu intelligenti di me. </s>
           <s id="s.000012">per&ograve; <lb/>non ander&ograve; piu oltre, la&longs;ciando in ognuno un de&longs;iderio arden&shy;<lb/>ti&longs;simo di uederle. </s>           <s id="s.000012">per&ograve; <lb/>non ander&ograve; piu oltre, la&longs;ciando in ognuno un de&longs;iderio arden&shy;<lb/>ti&longs;simo di uederle. </s>
           <s id="s.000013">et contentandomi della &longs;ua buona gratia, <lb/>allaquale humilmente mi riccomando. </s>           <s id="s.000013">et contentandomi della &longs;ua buona gratia, <lb/>allaquale humilmente mi riccomando. </s>
Line 1399 
Line 1399 
           <s id="s.001103">la torre poi douena nel mezo e&longs;&longs;ere profonda molto, &amp; eguale al meno al fondo de i precipi&shy;<lb/>tij, &amp; &longs;e per ca&longs;o lo inimico fu&szlig;e, rompendo la torre, per entrarui dentro, egli era &longs;ottopo&longs;to <lb/>ad una infinit&agrave; di offe&longs;e, s&igrave; da quelli, che &longs;tauano di &longs;opra nelle torri, come da quelli, che da ogni <lb/>lato &longs;tauano &longs;opra le mura, come &longs;te&longs;&longs;ero quelli palchi, o contignatione, che dice Vitr. per &longs;icur <lb/>t&agrave; di quelle, che difendeuano le torri, &amp; che facilmente &longs;i pote&szlig;ero leuare, altri uno, altri al&shy;<lb/>tro modo hanno trouato, n&egrave; &longs;opra que&longs;to c&apos;&egrave; da di&longs;putare qual &longs;ia piu uicino alla mente di Vitr. e&longs; <lb/>&longs;endo libero ad ognuno di affermare qual modo gli piace. </s>           <s id="s.001103">la torre poi douena nel mezo e&longs;&longs;ere profonda molto, &amp; eguale al meno al fondo de i precipi&shy;<lb/>tij, &amp; &longs;e per ca&longs;o lo inimico fu&szlig;e, rompendo la torre, per entrarui dentro, egli era &longs;ottopo&longs;to <lb/>ad una infinit&agrave; di offe&longs;e, s&igrave; da quelli, che &longs;tauano di &longs;opra nelle torri, come da quelli, che da ogni <lb/>lato &longs;tauano &longs;opra le mura, come &longs;te&longs;&longs;ero quelli palchi, o contignatione, che dice Vitr. per &longs;icur <lb/>t&agrave; di quelle, che difendeuano le torri, &amp; che facilmente &longs;i pote&szlig;ero leuare, altri uno, altri al&shy;<lb/>tro modo hanno trouato, n&egrave; &longs;opra que&longs;to c&apos;&egrave; da di&longs;putare qual &longs;ia piu uicino alla mente di Vitr. e&longs; <lb/>&longs;endo libero ad ognuno di affermare qual modo gli piace. </s>
           <s id="s.001104">per&ograve; il &longs;opradetto ha ritrouato unmodo <lb/>ingenio&longs;o, il quale noi nella &longs;oprapo&longs;ta de&longs;crittione hauemo pigliato.<emph.end type="italics"/></s>           <s id="s.001104">per&ograve; il &longs;opradetto ha ritrouato unmodo <lb/>ingenio&longs;o, il quale noi nella &longs;oprapo&longs;ta de&longs;crittione hauemo pigliato.<emph.end type="italics"/></s>
         </p>         </p>
         <p type="table">        <figure id="id.045.01.059.1.jpg" xlink:href="045/01/059/1.jpg"/>
           <s id="s.001105">TABELLE WAR HIER<!-- KEEP S--></s> 
         </p> 
         <p type="main">         <p type="main">
           <s id="s.001106"><emph type="italics"/>A. <!-- KEEP S--></s>           <s id="s.001106"><emph type="italics"/>A. <!-- KEEP S--></s>
           <s id="s.001107">Denti a gui&longs;a di &longs;ega.<emph.end type="italics"/></s>           <s id="s.001107">Denti a gui&longs;a di &longs;ega.<emph.end type="italics"/></s>
Line 3918 
Line 3916 
           <s id="s.003056">&amp; diciotto per largo, &amp; la figura lo dimo&shy;<lb/>&longs;tra. </s>           <s id="s.003056">&amp; diciotto per largo, &amp; la figura lo dimo&shy;<lb/>&longs;tra. </s>
           <s id="s.003057">Del fronti&longs;picio diremo nel genere Ionico.<emph.end type="italics"/></s>           <s id="s.003057">Del fronti&longs;picio diremo nel genere Ionico.<emph.end type="italics"/></s>
         </p>         </p>
         <p type="table">         <figure id="id.045.01.154.1.jpg" xlink:href="045/01/154/1.jpg"/>
           <s id="s.003058">TABELLE WAR HIER<!-- KEEP S--></s>         <pb pagenum="147" xlink:href="045/01/155.jpg"/><figure id="id.045.01.155.1.jpg" xlink:href="045/01/155/1.jpg"/>
         </p>         
         <p type="main"> 
           <s id="s.003059">Le parti del capitello <lb/>Dorico. <!-- KEEP S--></s> 
         </p> 
         <p type="main"> 
           <s id="s.003060">Le parti dello Architraue Dorico, &amp; della cornice, <lb/>&amp; del fronti&longs;picio. </s> 
         </p> 
         <p type="table"> 
           <s id="s.003061">TABELLE WAR HIER<pb pagenum="147" xlink:href="045/01/155.jpg"/><figure id="id.045.01.155.1.jpg" xlink:href="045/01/155/1.jpg"/><!-- KEEP S--></s> 
         </p> 
         <pb pagenum="148" xlink:href="045/01/156.jpg"/>         <pb pagenum="148" xlink:href="045/01/156.jpg"/>
         <figure id="id.045.01.156.1.jpg" xlink:href="045/01/156/1.jpg"/>         <figure id="id.045.01.156.1.jpg" xlink:href="045/01/156/1.jpg"/>
         <pb pagenum="149" xlink:href="045/01/157.jpg"/>         <pb pagenum="149" xlink:href="045/01/157.jpg"/>
Line 4988 
Line 4977 
           <s id="s.003812"><emph type="italics"/>Raccoglie quanto s&apos;&egrave; detto fin hora. </s>           <s id="s.003812"><emph type="italics"/>Raccoglie quanto s&apos;&egrave; detto fin hora. </s>
           <s id="s.003813">&amp; qui &longs;otto noi poneremo le figure delle due altre manie&shy;<lb/>re di porte, &amp; i profili de gli ornamenti di tutte tre le maniere, con i loro rincontri di lettere: <lb/>accioche s&apos;intenda meglio, quello che hauemo cono&longs;ciuto della intentione di Vitr.<emph.end type="italics"/><!-- KEEP S--></s>           <s id="s.003813">&amp; qui &longs;otto noi poneremo le figure delle due altre manie&shy;<lb/>re di porte, &amp; i profili de gli ornamenti di tutte tre le maniere, con i loro rincontri di lettere: <lb/>accioche s&apos;intenda meglio, quello che hauemo cono&longs;ciuto della intentione di Vitr.<emph.end type="italics"/><!-- KEEP S--></s>
         </p>         </p>
         <p type="table">       <figure id="id.045.01.196.1.jpg" xlink:href="045/01/196/1.jpg"/>
           <s id="s.003814">TABELLE WAR HIER<pb pagenum="189" xlink:href="045/01/197.jpg"/><figure id="id.045.01.197.1.jpg" xlink:href="045/01/197/1.jpg"/><pb pagenum="190" xlink:href="045/01/198.jpg"/><figure id="id.045.01.198.1.jpg" xlink:href="045/01/198/1.jpg"/><pb pagenum="191" xlink:href="045/01/199.jpg"/><figure id="id.045.01.199.1.jpg" xlink:href="045/01/199/1.jpg"/><!-- KEEP S--></s>           <pb pagenum="189" xlink:href="045/01/197.jpg"/><figure id="id.045.01.197.1.jpg" xlink:href="045/01/197/1.jpg"/><pb pagenum="190" xlink:href="045/01/198.jpg"/><figure id="id.045.01.198.1.jpg" xlink:href="045/01/198/1.jpg"/><figure id="id.045.01.198.2.jpg" xlink:href="045/01/198/2.jpg"/><figure id="id.045.01.198.3.jpg" xlink:href="045/01/198/3.jpg"/><pb pagenum="191" xlink:href="045/01/199.jpg"/><figure id="id.045.01.199.1.jpg" xlink:href="045/01/199/1.jpg"/>
         </p>         
         <pb pagenum="192" xlink:href="045/01/200.jpg"/>         <pb pagenum="192" xlink:href="045/01/200.jpg"/>
         <p type="table">         
           <s id="s.003815">TABELLE WAR HIER<!-- KEEP S--></s>           <figure id="id.045.01.200.1.jpg" xlink:href="045/01/200/1.jpg"/>
         </p>         
         </subchap2><subchap2>         </subchap2><subchap2>
         <p type="head">         <p type="head">
           <s id="s.003816"><emph type="italics"/>Delle ragioni To&longs;cane de i &longs;acri Tempi.<emph.end type="italics"/></s>           <s id="s.003816"><emph type="italics"/>Delle ragioni To&longs;cane de i &longs;acri Tempi.<emph.end type="italics"/></s>
Line 6143 
Line 6132 
         <pb pagenum="239" xlink:href="045/01/247.jpg"/>         <pb pagenum="239" xlink:href="045/01/247.jpg"/>
         <p type="head">         <p type="head">
           <s id="s.004689"><emph type="italics"/>ARMONICVM. CHROMATICVM. DIATONICVM.<emph.end type="italics"/><!-- KEEP S--></s>           <s id="s.004689"><emph type="italics"/>ARMONICVM. CHROMATICVM. DIATONICVM.<emph.end type="italics"/><!-- KEEP S--></s>
         </p>        <figure id="id.045.01.247.1.jpg" xlink:href="045/01/247/1.jpg"/> </p>
         <p type="table">         
           <s id="s.004690">TABELLE WAR HIER<!-- KEEP S--></s> 
         </p> 
         <p type="main">         <p type="main">
           <s id="s.004691">Ma i &longs;uoni mobili &longs;ogliono riceuere altre uirt&ugrave;, perche hanno gli &longs;patij, &amp; le di&longs;tanze <lb/>cre&longs;centi. </s>           <s id="s.004691">Ma i &longs;uoni mobili &longs;ogliono riceuere altre uirt&ugrave;, perche hanno gli &longs;patij, &amp; le di&longs;tanze <lb/>cre&longs;centi. </s>
           <s id="s.004692">La pro&longs;sima alla prima adunque, detta parhypate, che nello armonico &egrave; di&shy;<lb/>&longs;tante dalla prima una die&longs;i, nel chromatico &egrave; di&longs;tante per un &longs;emituono, &amp; nel diatonico <lb/>dalla prima per tre &longs;emituoni, &amp; con le dieci uoci, per li traportamenti loro ne i generi <lb/>fanno una uariet&agrave; di canto di tre maniere. </s>           <s id="s.004692">La pro&longs;sima alla prima adunque, detta parhypate, che nello armonico &egrave; di&shy;<lb/>&longs;tante dalla prima una die&longs;i, nel chromatico &egrave; di&longs;tante per un &longs;emituono, &amp; nel diatonico <lb/>dalla prima per tre &longs;emituoni, &amp; con le dieci uoci, per li traportamenti loro ne i generi <lb/>fanno una uariet&agrave; di canto di tre maniere. </s>
Line 8809 
Line 8796 
           <s id="s.006364">CHOROBATE DA LIVELLAR LE ACQVE ET I PIANI.<!-- KEEP S--></s>           <s id="s.006364">CHOROBATE DA LIVELLAR LE ACQVE ET I PIANI.<!-- KEEP S--></s>
         </p>         </p>
         <p type="table">         <p type="table">
           <s id="s.006365">TABELLE WAR HIER<!-- KEEP S--></s>           <s id="s.006365">1 Regola di piedi 20.</s>
            <s id="s.106365">2 gli Anconi o Braccia.</s>
            <s id="s.206365">3 Trauver&longs;arij.</s>
         </p>         </p>
         </subchap2><subchap2>         </subchap2><subchap2>
         <pb pagenum="343" xlink:href="045/01/357.jpg"/>         <pb pagenum="343" xlink:href="045/01/357.jpg"/>
Line 9392 
Line 9381 
         <p type="main">         <p type="main">
           <s id="s.006825"><emph type="italics"/>b. <!-- REMOVE S-->l&apos;occhio nella &longs;uperficie della terra.<emph.end type="italics"/></s>           <s id="s.006825"><emph type="italics"/>b. <!-- REMOVE S-->l&apos;occhio nella &longs;uperficie della terra.<emph.end type="italics"/></s>
           <pb pagenum="372" xlink:href="045/01/386.jpg"/>           <pb pagenum="372" xlink:href="045/01/386.jpg"/>
           <s id="s.006826">not transcribed</s>           <s id="s.006826">not transcribed</s><figure id="id.045.01.386.1.jpg" xlink:href="045/01/386/1.jpg"/>
           <pb pagenum="373" xlink:href="045/01/387.jpg"/>           <pb pagenum="373" xlink:href="045/01/387.jpg"/>
           <s id="s.006827"><emph type="italics"/>&longs;pacio, che il Sole dimora &longs;otto uno de i dodici &longs;egni, &amp; co&longs;i uno me&longs;i &longs;ar&agrave; la duodecima parte <lb/>dell&apos;anno. </s>           <s id="s.006827"><emph type="italics"/>&longs;pacio, che il Sole dimora &longs;otto uno de i dodici &longs;egni, &amp; co&longs;i uno me&longs;i &longs;ar&agrave; la duodecima parte <lb/>dell&apos;anno. </s>
           <s id="s.006828">Egli &longs;i chiama me&longs;e lo &longs;pacio, che &egrave; da una congiuntione all&apos;altra, che &egrave; di giorni uen&shy;<lb/>tinoue &egrave; mezo, poco piu. </s>           <s id="s.006828">Egli &longs;i chiama me&longs;e lo &longs;pacio, che &egrave; da una congiuntione all&apos;altra, che &egrave; di giorni uen&shy;<lb/>tinoue &egrave; mezo, poco piu. </s>
Line 9403 
Line 9392 
         <p type="head">         <p type="head">
           <s id="s.006832"><emph type="italics"/>TAVOLA DEL MOVIMENTO DE I CIELI.<emph.end type="italics"/><!-- KEEP S--></s>           <s id="s.006832"><emph type="italics"/>TAVOLA DEL MOVIMENTO DE I CIELI.<emph.end type="italics"/><!-- KEEP S--></s>
         </p>         </p>
         <p type="table">         <figure id="id.045.01.387.1.jpg" xlink:href="045/01/387/1.jpg"/>
           <s id="s.006833">TABELLE WAR HIER<!-- KEEP S--></s> 
         </p> 
         <p type="main">         <p type="main">
           <s id="s.006834">Ma la &longs;tella di Mercurio &amp; la &longs;tella di Venere girando&longs;i d&apos;intorno i raggi del Sole, &amp; <lb/>coronando con i uiaggi loro il Sole, a gui&longs;a di centro fanno i ritorni, &amp; le dimore, &amp; an&shy;<lb/>che con le &longs;tationi loro per quella giratione dimorano ne gli &longs;pacij de i &longs;egni. </s>           <s id="s.006834">Ma la &longs;tella di Mercurio &amp; la &longs;tella di Venere girando&longs;i d&apos;intorno i raggi del Sole, &amp; <lb/>coronando con i uiaggi loro il Sole, a gui&longs;a di centro fanno i ritorni, &amp; le dimore, &amp; an&shy;<lb/>che con le &longs;tationi loro per quella giratione dimorano ne gli &longs;pacij de i &longs;egni. </s>
           <s id="s.006835">&amp; che que&shy;<lb/>&longs;to &longs;ia uero, &longs;i fa chiaro dalla &longs;tella di Venere, percioche &longs;eguitando ella il Sole, &amp; appa&shy;<lb/>rendoci dopo il tramontar di quello, &amp; rilucendo chiari&longs;simamente, &longs;i chiama per que&longs;to <lb/>Ve&longs;perugine: ma in altri tempi andandogli inanzi, &amp; leuando&longs;i inanzi il giorno, &longs;i chia&shy;<lb/>ma Lucifer. </s>           <s id="s.006835">&amp; che que&shy;<lb/>&longs;to &longs;ia uero, &longs;i fa chiaro dalla &longs;tella di Venere, percioche &longs;eguitando ella il Sole, &amp; appa&shy;<lb/>rendoci dopo il tramontar di quello, &amp; rilucendo chiari&longs;simamente, &longs;i chiama per que&longs;to <lb/>Ve&longs;perugine: ma in altri tempi andandogli inanzi, &amp; leuando&longs;i inanzi il giorno, &longs;i chia&shy;<lb/>ma Lucifer. </s>
Line 9932 
Line 9919 
           <s id="s.007229">&amp; dichiamo breuemente quello, che &egrave; &longs;tato o&longs;&longs;eruato del moui&shy;<lb/>mento del Sole, nelle quarte del Zodiaco. <!-- KEEP S--></s>           <s id="s.007229">&amp; dichiamo breuemente quello, che &egrave; &longs;tato o&longs;&longs;eruato del moui&shy;<lb/>mento del Sole, nelle quarte del Zodiaco. <!-- KEEP S--></s>
           <s id="s.007230">Il Sole adunque ua per la prima quarta del Zodiaco in <lb/>giorni nouantaquattro, hore dodici: &amp; del &longs;uo Eccentrico gradi nouanta tre, minuti noue. </s>           <s id="s.007230">Il Sole adunque ua per la prima quarta del Zodiaco in <lb/>giorni nouantaquattro, hore dodici: &amp; del &longs;uo Eccentrico gradi nouanta tre, minuti noue. </s>
           <s id="s.007231">Va per <lb/>la &longs;econda, che &egrave; la quarta e&longs;tiua in giorni nouanta due, &amp; hore dodici: &amp; del &longs;uo Eccentrico <lb/>gradi nouanta uno, minuti undici. </s>           <s id="s.007231">Va per <lb/>la &longs;econda, che &egrave; la quarta e&longs;tiua in giorni nouanta due, &amp; hore dodici: &amp; del &longs;uo Eccentrico <lb/>gradi nouanta uno, minuti undici. </s>
           <s id="s.007232">ua per la terza in giorni ottantaotto, &amp; del &longs;uo Eccentrico<emph.end type="italics"/><!-- KEEP S--></s>           <s id="s.007232">ua per la terza in giorni ottantaotto, &amp; del &longs;uo Eccentrico
         </p>       
         <pb xlink:href="045/01/404.jpg"/>         <pb xlink:href="045/01/404.jpg"/>
         <p type="table">         <figure id="id.045.01.404.1.jpg" xlink:href="045/01/404/1.jpg"/>
           <s id="s.007233">TABELLE WAR HIER<!-- KEEP S--></s>         
         </p>           <pb pagenum="391" xlink:href="045/01/405.jpg"/>gradi ottanta &longs;ei, minuti quarantauno. </s>
         <p type="head"> 
           <s id="s.007234"><emph type="italics"/>Continuatione de i giorni, o della luce.<emph.end type="italics"/></s> 
         </p> 
         <p type="head"> 
           <s id="s.007235"><emph type="italics"/>Hore Minuti Seconde.<emph.end type="italics"/></s> 
         </p> 
         <p type="table"> 
           <s id="s.007236">TABELLE WAR HIER <pb pagenum="391" xlink:href="045/01/405.jpg"/><emph type="italics"/>gradi ottanta &longs;ei, minuti quarantauno. </s> 
           <s id="s.007237">u&agrave; per la quarta del uerno in giorni nouanta, hore due, <lb/>minuti cinquanta cinque, &longs;econde due, &amp; del &longs;uo Eccentrico gradi ottanta otto, minuti nouanta&shy;<lb/>noue. </s>           <s id="s.007237">u&agrave; per la quarta del uerno in giorni nouanta, hore due, <lb/>minuti cinquanta cinque, &longs;econde due, &amp; del &longs;uo Eccentrico gradi ottanta otto, minuti nouanta&shy;<lb/>noue. </s>
           <s id="s.007238">fa la met&agrave; &longs;ettentrionale del Zodiaco in giorni centoottanta &longs;ette, l&apos;altra in giorni cento &longs;et&shy;<lb/>tanta otto, hore cinquanta cinque, minuti cinquantacinque, &longs;econde dodici. </s>           <s id="s.007238">fa la met&agrave; &longs;ettentrionale del Zodiaco in giorni centoottanta &longs;ette, l&apos;altra in giorni cento &longs;et&shy;<lb/>tanta otto, hore cinquanta cinque, minuti cinquantacinque, &longs;econde dodici. </s>
           <s id="s.007239">La doue andando <lb/>per la met&agrave; Settentrionale pone giorni otto, hore dieciotto, minuti quattro, &longs;econde quaranta otto <lb/>di piu, che andando per la met&agrave; meridiana.<emph.end type="italics"/></s>           <s id="s.007239">La doue andando <lb/>per la met&agrave; Settentrionale pone giorni otto, hore dieciotto, minuti quattro, &longs;econde quaranta otto <lb/>di piu, che andando per la met&agrave; meridiana.<emph.end type="italics"/></s>

Legend:
Removed from v.1.9 
changed lines
 Added in v.1.10