to have made a Mon&longs;ter with Limbs di&longs;pro­<lb/> portionable: Variety is without Di&longs;pute a very <lb/> great Beauty in every Thing, when it joins and <lb/> brings together, in a regular manner, Things <lb/> different, but proportionable to each other; <lb/> but it is rather &longs;hocking, if they are un&longs;uitable <lb/> and incoherent. </s>
<s>For as in Mu&longs;ick, when the <lb/> Ba&longs;e an&longs;wers the Treble, and the Tenor agrees <lb/> with both, there ari&longs;es from that Variety of <lb/> Sounds an harmonious and wonderful Union <lb/> of Proportions which delights and enchants <lb/> our Sen&longs;es; &longs;o the like happens in every thing <lb/> el&longs;e that &longs;trikes and plea&longs;es our Fancy. </s>
<s>La&longs;tly, <lb/> the&longs;e Things mu&longs;t be &longs;o executed, as U&longs;e or <lb/> Conveniency requires, or according to the <lb/> approved Practice of Men of Skill; becau&longs;e <lb/> deviating from e&longs;tabli&longs;hed Cu&longs;tom, generally <lb/> robs a Thing of its whole Beauty, as conform­<lb/> ing to it, is applauded and attended with Suc­<lb/> ce&longs;s. </s>
<s>Neverthele&longs;s, tho' other famous Archi­<lb/> tects &longs;eem, by their Practice, to have deter­<lb/> mined this or that Compartition, whether <lb/> <emph type="italics"/>Doric,<emph.end type="italics"/> or <emph type="italics"/>Ionic,<emph.end type="italics"/> or <emph type="italics"/>Corinthian,<emph.end type="italics"/> or <emph type="italics"/>Tu&longs;can,<emph.end type="italics"/> to <lb/> be the mo&longs;t convenient of any; yet they do <lb/> not thereby tie us down to follow them &longs;o <lb/> clo&longs;ely, as to tran&longs;cribe their very De&longs;igns into <lb/> this Work of ours; but only &longs;tir us up by <lb/> their In&longs;tructions to produce &longs;omething of <lb/> our own Invention, and to endeavour to ac­<lb/> quire equal or greater Prai&longs;e than they did. <lb/> </s>
<s>But of the&longs;e Things we &longs;hall &longs;peak more di­<lb/> &longs;tinctly in their proper Places, when we come <lb/> to con&longs;ider in what manner a City and its <lb/> Members ought to be di&longs;po&longs;ed, and every <lb/> thing nece&longs;&longs;ary for the Convenience of <lb/> each.</s></p>
<p type="head">
<s>CHAP. X.</s></p>
<p type="head">
<s><emph type="italics"/>Of the Columns and Walls, and &longs;ome Ob&longs;ervations relating to the Columns.<emph.end type="italics"/></s></p>
<p type="main">
<s>We are now to treat &longs;ummarily of the <lb/> Di&longs;po&longs;ition of the Wall. </s>
<s>But here I <lb/> mu&longs;t not omit what I have ob&longs;erved among <lb/> the Ancients; namely, that they con&longs;tantly <lb/> avoided drawing any of the outer Lines of the <lb/> Platform quite &longs;trait, &longs;o as to let any great <lb/> Length go on without being interrupted by <lb/> the Concavity of &longs;ome curve Line, or the In­<lb/> ter&longs;ection of &longs;ome Angle; and the Rea&longs;on <lb/> why tho&longs;e wi&longs;e Men did this is plain, that the <lb/> Wall, having, as it were, Props joined to it to <lb/> re&longs;t again&longs;t, might be &longs;o much the &longs;tronger. <lb/> </s>
<s>In treating of the Walling, we &longs;hould begin <lb/> with the mo&longs;t noble Parts of it. </s>
<s>This Place <lb/> there&longs;ore naturally leads us to &longs;peak of the Co­<lb/> lumns, and of the Things belonging to them; <lb/> a Row of Columns being indeed nothing el&longs;e <lb/> but a Wall open and di&longs;continued in &longs;everal <lb/> Places. </s>
<s>And having occa&longs;ion to define a Co­<lb/> lumn, it would not be at all improper to &longs;ay, <lb/> that it is a certain &longs;trong continued Part of <lb/> the Wall, carried up perpendicular from the <lb/> Foundation to the Top, for &longs;upporting the <lb/> Covering. </s>
<s>In the whole Compa&longs;s of the Art <lb/> of Building, you will find nothing, that either <lb/> for Workman&longs;hip, Expence or Beauty, de­<lb/> &longs;erves to be preferred before the Columns. <lb/> </s>
<s>But the&longs;e Columns having &longs;ome Particulars in <lb/> which they differ from one another; in this <lb/> Place we &longs;hall &longs;peak only of their Agreement; <lb/> becau&longs;e that regards the Genus of them; but <lb/> as to their Difference, which relates to their <lb/> Species, we &longs;hall handle it in its proper Place. <lb/> </s>
<s>To begin therefore as we may &longs;ay from the <lb/> Root, every Column has its Foundation; this <lb/> Foundation being brought up to a Level with <lb/> the Plane of the <emph type="italics"/>Area,<emph.end type="italics"/> it was u&longs;ual to rai&longs;e <lb/> thereupon a kind of little Wall, which we <lb/> &longs;hall call the Plinth, others perhaps may call <lb/> it the Dye; upon the Plinth &longs;tood the Ba&longs;e, <lb/> on the Ba&longs;e, the Column; and over the Co­<lb/> lumn the Capital; their Proportion was, that <lb/> from the middle downwards, they were &longs;ome­<lb/> what bigger, and from thence upwards grew <lb/> more and more taper, and that the Foot was <lb/> &longs;omething larger than the Top of all. </s>
<s>I make <lb/> no doubt, that at fir&longs;t the Column was in­<lb/> vented to &longs;upport the Covering. </s>
<s>Afterwards <lb/> Men's Thoughts being &longs;tirred up to worthy <lb/> Attempts, they &longs;tudied, tho' them&longs;elves were <lb/> mortal, to make their Buildings in a Manner <lb/> immortal and eternal; and for this Rea&longs;on <lb/> they made Columns, Architraves, Intabla­<lb/> tures, and Coverings all of Marble. </s>
<s>And in <lb/> doing the&longs;e Things, the ancient Architects al­<lb/> ways kept &longs;o clo&longs;e to Nature, as to &longs;eem, if <lb/> po&longs;&longs;ible, never to have con&longs;ulted any Thing <lb/> but mere Convenience in Building, and at the <lb/> &longs;ame Time made it their Care, that their <lb/> Works &longs;hould be not only &longs;trong and u&longs;eful,